Betters Nikon’s own 85mm f/1.4 DSLR lens for image quality and value, Mount: Nikon FX | Elements/groups: 14/12 | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: None | Minimum focus distance: 0.85m | Maximum magnification: 0.12x | Filter thread: 86mm | Dimensions (WxL): 95x126mm | Weight: 1,130g. These are older, and still can be helpful. It’s designed for full frame FX Nikons, and on a DX format Nikon with the 1.5x ‘crop factor, it gives an amazing 225-900mm effective focal range. If you don't need VR, the older 24-70mm f/2.8G is still sold new and is an equally excellent professional lens. If you find this Carry only one of these 50 or 55mm lenses at a time. Don't expect ever to see one of these, since production was so low. For outright image quality, the more expensive Sigma 150-600mm f/5-6.3 DG OS HSM | Sports lens is our top choice, but this ‘C’ lens offers a better cost and weight compromise for most people, while covering the same focal range. With class-leading wide-angle coverage and a generous zoom range, this lens is equivalent to using a 24-120mm lens in 35mm camera terms. Of course even the slightest tilt on your part throws everything into a bizarre angular array of converging and diverging lines, but that's the fun. There's also a 4-stop VR (Vibration Reduction) system with ‘sports’ mode, SWM autofocus and an electromagnetic diaphragm for more consistent exposures during high-speed burst shooting. In fact, it's probably the best Nikon lens for beginners to get. The biggest help is when you use any of these links when you get anything, regardless of the country in which you live. Don't forget to read the even funnier Nikon's 10 Worst Lenses. The 35mm f/1.8 is a tougher, faster lens than the basic 18-55mm zoom. Nikon’s retractable 24-70mm f/4 Z is available separately or as part of a kit with Z 6 and Z 7 cameras. Nikon lens secrets to save you $$$ Check price. You will receive a verification email shortly. More importantly, the new Sigma 14-24mm out-performs the equivalent Nikon lens and is less expensive to buy. Check price. Nikon only made these to special order, and only made a few hundred of them across 20 years. bigger or full-resolution. An ultra-wide lens for full frame Nikon DSLRs, with incredible image quality, Mount: Nikon FX | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: None | Minimum focus distance: 0.26m | Maximum magnification: 0.19x | Filter thread: None | Dimensions (WxL): 96x135mm | Weight: 1,150g. Phil Hall As a guy who's owned probably every Nikon lens ever made, even for Nikon's 1940s-1960s rangefinder cameras, I'm astonished at how this one lens replaces every other lens I used to use, with the exception of ultra-ultra wides. If I'm photographing moving people and kids, of course I'll prefer the AF lens, but if I'm hugging a tripod, the King is still the King. • Best Panasonic lenses I found the best is this AI "n" (new) version, which is recognized by the black rectangular plate on its rear mount as shown above. It’s two-thirds of a stop slower but performs very well and is cheap to buy. Both are sharp, even in the corners. The Z 14-30mm stands out because it's the first-ever Nikon lens wider than 16mm that can take a normal screw-in front filter. The ‘macro’ badge is plastered over many zoom lenses but they only tend to offer a maximum magnification ratio of 0.2x to 0.5x at best, which isn’t ‘real’ macro photography at all. It's a steal! Except that the D40, D40x and D60 can't autofocus with it (neither can the F3), there is no reason not to own one of these, unless you opt for the twice as expensive 50mm f/1.4 D. All the earlier 50mm f/1.8 lenses since 1978 are also all excellent, including the 50mm f/1.8 AF (non-D), 50mm f/1.8 Nikkor manual focus, and the 50mm f/1.8 Series E. 135mm f/2 DC AF (1990 - today)         top. Sharpness and color correction; Nikon AF-S DX NIKKOR 35mm f/1.8G Lens. Sharpness and contrast are spectacular, while bokeh is lusciously smooth. It doesn't focus closely (7/2'/2.2m) and it doesn't zoom wider than 200mm, which are how Nikon is able to make this so inexpensively and have it work so well as an ultra tale. Which Nikon DX lens to buy? 28-80mm G (2001-2006) and 28-200mm G (2003-2006)    top. Nikon's 14mm f/2.8 and 14-24mm AF-S are not quite as wide, and have more distortion. This Sigma lens is brilliant for extreme close-ups, delivering full 1.0x magnification at its shortest focus distance. Autofocus is super-fast and unerringly accurate, while VR has a mighty 5-stop effectiveness. Tokina 11-20mm f/2.8 – a bit larger and more expensive, but goes to f/2.8. Any of the manual lenses work great; these are just what I prefer to cover everything. It covers FX; a DX lens would need a focal length of just 8.5mm to cover the same ultra-ultra wide angle! If you need anything longer, you'll get better photos by getting closer with the 28-300mm VR than you will by using a longer lens like the 600mm VR from farther away. The 35mm f/1.8 is super-sharp, focuses instantly, it's fast, it's tough (metal mount), and simply works perfectly for a super low price. The other downside is the maximum aperture - at 24mm, f/4 isn't too bad, but the drop to f/6.3 at 50mm is a struggle to accept. And with the DX crop factor, this lens comes in at 36mm, a negligible difference. You CAN fit full frame wide-angles on a DX format Nikon, but the 1.5x crop factor means you are paying for a more expensive lens and losing much of that wider angle of view, so it’s just not worth doing. Nikon 17-55mm f/2.8G ED-IF AF-S DX Nikkor Zoom Lens. For Nikon FX DSLRs. bigger. Get the best camera deals, reviews, product advice, competitions, unmissable photography news and more! Check price. Check price. For Nikon Z cameras, 46mm filters, 4.6 oz./131g, 0.7'/0.2m close focus. This means it features a host of upgrades including improved optical performance, nano-structure coatings, weather-seals and a fluorine coating on the front element. Overall, it’s the more sensible buy if you need a lens like this occasionally rather than all the time. An ideal 70-300mm telephoto zoom for Nikon DX and FX DSLRs, Mount: Nikon FX | Elements/groups: 16/11 | Diaphragm blades: 8 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 1.2m | Maximum magnification: 0.21x | Filter thread: 67mm | Dimensions (WxL): 89x143mm | Weight: 1,050g. Apart from the above mentioned excellent 11-16mm f/2.8 lens, there is also the newer 11-20mm f/2.8 AT-X PRO DX. First up, the zoom range - 24mm is fine, but it only hits 50mm which is a bit too short in our books to make it a versatile standard zoom. Vivid Yellow Tree by the Merced River, Yosemite Valley, October 2017. Check price. Thanks! You’ll be close enough to engage with and give directions to the portrait sitter, without invading their personal space. Nikon AF-P 10-20mm f/4.5-5.6 – an ultralight, inexpensive, fast-focusing zoom that should be on every Nikon DX shooter’s shortlist. Nikon spent ten years perfecting this masterpiece, then discontinued it in 2006 from lack of market interest due to its deservedly high price. The 135mm DC, or "Defocus Control," lens, is among Nikon's sharpest lenses ever. Each of these lenses isn't quite as sharp as Nikon's best, but pretty darn close. No only does the Z14-30 take filters, it's the sharpest ultra-ultrawide ever from Nikon, and it's also small and collapses when not in use. Nikon’s amazing constant aperture telezoom isn't cheap, but you do get a lot of lens for your money. A cluttered or highly detailed background can be a nuisance but, with a long focal length and ‘fast’ aperture of around f/1.4 to f/1.8, you can solve the problem. The other advantage is that if you do upgrade to a full frame Nikon in the future, you can carry on using your telephoto lens. Look at my Nikon 28-300mm sample images and see for yourself: The 28-200mm VR replaces all the lenses we used to haul around. 4. Check price. Even the 28-80mm G is sharper than the far more expensive 24-120mm VR, which made my 10-Worst list. The only thing it doesn't do is replace an ultra-wide lens like the 16-35mm VR, or allow us to shoot sports in dim light like the 70-200mm f/2.8 VR FL. If you need to shoot at REALLY long range with your Nikon DSLR, get this! For everyday photography a standard zoom (or ‘kit’) lens offers excellent versatility, but often won't go as 'wide' as you need for interior shots, tall buildings and sweeping landscapes. Get one before Nikon catches on and raises the price. With a constant fast maximum aperture of f/2.8 all the way through the zoom range from 120-300mm, the 2.5x zoom range means you have the telescopic power of a 300mm f/2.8 prime, but with the ability to zoom back out if the action moves closer to the camera. This tiny and inexpensive lens wows me with its fantastic performance and ultra low price. Further similarities include a customisable Lens Function button and info display. It's a much newer design than Canon's, which dates back to the 1970s! Another lens so great that the market never figured it out, this is the only true zoom Micro (macro) lens ever made by Nikon. Read on to find out more... Start here Nikon made its name with its manual-focus lenses. What more can I say? I move a few steps closer or further away to frame, and I'm good. Considering the downmarket price, build quality feels pretty good, right down to the weather-sealed metal mounting plate. We’ve tested seven sub $500 DX mount primes on the Nikon D500, which are smaller, lighter and cheaper lens alternative for APS-C shooters compared to the FX format alternatives. If you wish to make a printout for personal use, you are granted one-time permission only if you PayPal me $5.00 per printout or part thereof. Some types of lenses can be used on both Nikon DX and FX cameras (telephotos, macro lenses, portrait lenses) because the angle of view is not critical. Z 24-70mm f/2.8 (2019-today)          top. I support my growing family through this website, as crazy as it might seem. Tokina has even several DX options. Read more: Best standard zoom upgrades for Nikon, 4) Macro lens: for subjects so close they're right under your nose. By The 28-300mm VR is my freedom lens. You can use this lens for landscapes, cityscapes, interiors, and architecture photography. The lens has a tough, weather-resistant build although, as with the vast majority of stepping-motor lenses, there’s no focus distance scale. Very few people know How to Use Ultrawide Lenses, but for those who do, this is Nikon's best DX ultrawide yet. Nikon 13mm f/5.6 swallowing a D300. Check price. It’s Nikon’s latest and best standard zoom for its DX format DSLRs, Mount: Nikon DX | Elements/groups: 17/13 | Diaphragm blades: 7 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 0.35m | Maximum magnification: 0.22x | Filter thread: 72mm | Dimensions (WxL): 80x86mm | Weight: 480g. Go wide but stay light, with this premium lens for Nikon Z 6 and Z 7, Mount: Nikon Z FX | Elements/groups: 14/12 | Diaphragm blades: 7 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.28mm | Maximum magnification: 0.16x | Filter thread: 82mm | Dimensions (WxL): 89x85mm | Weight: 485g. I guess another thing you could add to your list is least distortion. Just like with telephoto lenses, it can pay to buy an FX format macro lens, even if you’re shooting with a DX format body. Older lenses, like the huge 14-24mm f/2.8, had bulbous front elements that were completely unprotectable. Using the dpReview lens widget it appears the AF-S DX Nikkor 18-55mm f/3.5-5.6G VR is sharpest at f/8 for most focal lengths. For lighter weight at a much lower price, also consider the 70-200mm f/4. It’s such an excellent lens that you barely need to consider an upgrade. Both produce magnificent images. 85mm f/1.4 lenses are often preferred for their tighter depth of field, which can blur the background a little more effectively and make the main subject really stand out. This is where you need a super-telephoto of up to 600mm focal length, and this is where the new breed of 150-600mm zooms is ideal. The 80-400mm VR is more versatile as a general-purpose tale. Nikon’s own sharpest DX lens, according to DxOMark’s tests, is the quite inexpensive Micro-Nikkor 40mm f/2.8G, which costs just £200. This travel-friendly size though does come with its compromises though. It excels because it's so tiny and inexpensive, and has better performance than many more exotic older lenses. Nikon 18-55mm AF-P VR kit lens. Best Lenses for Manual-Focus 35mm Cameras          top. All of my recent product shots, like half the shots on this page, are shot with this lens. This little lens is only about half the length and a third of the weight of a 'pro' lens like Nikon’s 105mm macro lens for FX format cameras, so it’s easy to squeeze into a spare corner of your camera bag. This lens is fantastic because it gives us every imaginable focal length we'd ever need for a DX DSLR in just one lens, and it's sharp. You get ring-type ultrasonic autofocus complete with full-time manual override and a focus distance scale positioned beneath a viewing panel. 50mm f/1.8 lenses are often regarded as the poor relations of f/1.4 standard primes. Read more: Best wide-angle lenses for Nikon, 3) Standard zoom: standard zooms offer a versatile focal range, allowing you to shoot anything from landscapes to portraits and chances are, you've already got one as these are after bundled with Nikon cameras to get you started. We think this is a better choice than Nikon’s old and unstabilized 17-55mm f/2.8 zoom and the best Nikon lens for anyone who wants to upgrade their standard zoom. 300mm f/2.8 ED-IF (1977-1982, continues today)         top. I lusted after the 13mm ever since I was a kid in the 1970s. The lens has strong sharpness and … However, a 50mm DX format lens will give a comparable angle of view of 75mm equivalent, which is near enough to the classic 85mm focal length not to matter, and will be a cheaper option for Nikon DX camera owners. For budget portraiture on a DX format body, look no further than this Nikon 50mm f/1.8. Certainly compact, but zoom and max aperture are compromised, Mount: Nikon Z FX | Elements/groups: 11/10 | Diaphragm blades: 7 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.35m | Maximum magnification: 0.17x | Filter thread: 52mm | Dimensions (WxL): 73.5x51mm | Weight: 195g. It was fast enough to shoot indoor sports, and the internal-focusing design let it focus from near to far with the flick of a finger. That makes stabilization less effective for macro shooting but, to be honest, you’re better off using a tripod anyway. Carry only one of these depending on which you happen to have and which filter size you prefer. Do you own a Nikon SLR camera and are you looking for a lens? It's my favorite DX lens, since when I shoot a DX DSLR, I'm traveling basic and light (I bring my Full-Frame DSLR If I'm shooting something serious). If you use a full frame FX standard zoom on a DX Nikon, the effective focal length will be too long and you won’t get a wide enough angle of view. This is the sharpest lens that I've ever seen: It's so sharp, it will cut you. A worthy upgrade to the full frame Z-mount 24-70mm f/4 kit lens, Mount: Nikon Z FX | Elements/groups: 17/15 | Diaphragm blades: 9 | Autofocus: Pulse (stepping motor) | Stabilizer: None | Minimum focus distance: 0.38m | Maximum magnification: 0.22x | Filter thread: 82mm | Dimensions (WxL): 89x126mm | Weight: 805g. This makes stabilization much more effective in close-up shooting, especially compared with the regular stabilizer in Nikon’s competing 105mm VR macro lens. I buy only from these approved sources. With telephotos we’d always recommend getting a full frame (FX) lens even if you’ve got a smaller DX format Nikon DSLR. If I need speed for low-light, I may carry a trio of 85mm f/2 AI-s (52mm), 135mm f/2.8 AI-s (52mm) and 200mm f/4 (52mm) or 180mm f/2.8 ED. Sharpness is excellent across the entire image frame, from f/2.8 all the way to f/16. You can also tailor the autofocus speed and change the autofocus range limiter distance. There are some points in the zoom range that center sharpness is better at f/5.6 but usually at a much greater expense to edge sharpness. It costs you nothing, and is this site's, and thus my family's, biggest source of support. In daylight, I just carry a 80-200mm f/4 AI-s (62mm) or 80-200mm f/4.5n AI (52mm filters), again depending on which you have and your preference in filter size. If you want a really fast lens in an even smaller package than either of these, Nikon's 20mm f/1.8G AF-S is a unique ultra-speed ultrawide. Read more: Best telephoto lenses for Nikon, 2) Wide-angle zoom: for when you need to get more into the frame. Nikon AF-S DX NIKKOR 55-300mm f/4.5-5.6G ED VR Lens Sports Lens for Beginners, Affordable Price, Great Focal Length Range If you are a beginner for shooting sports and don’t want to spend too much, this DX NIKKOR 55-300mm f/4.5-5.6G will be a great choice for you. It beats Nikon’s long-standing AF-S DX 10-24mm f/3.5-4.5G ED lens for performance and image quality, and is much less expensive to buy, although it’s twice the price of Nikon’s budget 10-20mm VR zoom (which you also might like to consider if you’re on a budget). Not only does this lens let me leave my bag home, I can leave my tripod home, too. I find the 16-35mm a little sharper and much smaller and much more practical, but consider the 14-24mm if you need f/2.8 or 14mm. I saw one on display at Nikon House in Rockefeller Center in New York City in the 1970s, and saw one again in early 2008, from which I'll be penning a review one of these days. This 13mm is also unusual in that it has little to no distortion of straight lines. Just get the 14-24mm AF-S , which is a lot less expensive, two stops faster and a lot sharper. Wide-angle Nikon DX zooms include an 8mm fisheye lens, which produces enormous barrel distortion for unusual images, and a 10mm rectilinear lens that keeps lines much straighter. Nikon’s latest AF-S 24-70mm f/2.8E ED VR might look like a top choice for full frame Nikon DSLRs, but it’s a beast of a lens and hugely expensive to buy. have had to take, feel free to help me continue helping everyone. The best portrait shots combine an undistorted perspective with soft background blur. However, they have limitations in zoom range, maximum aperture and overall quality, and since this is lens you’ll be using for much of your everyday photography, you might want to think about getting a better one. But whether you're a Nikon DSLR user or mirrorless shooter, you're spoilt for choice with the array of lenses available for your camera to suit all budgets. It focuses down to 17 inches (43cm) at every focal length, much closer than any other Nikon tele, ever. For full-frame mirrorless (Z6 & Z7). If I want a "do everything" lens for my D3 or D700, it's not the 24-120mm VR. With an ‘effective’ focal length of 60mm, it’s ideal as a standard prime lens for general shooting too, combining a fairly fast aperture rating with excellent optical performance. 50mm f/1.4G AF-S (2015-today)          top. • Best Sony lenses. It always cost a significant fraction of what the average American family earns in a year, and used ones today sell for about the same real price as when new: about $5,000 to $20,000. Rod Lawton, It has no distortion, focuses almost instantly, and it's Nikon's smallest and lightest lens. Like the Z DX 16-50mm above, this lens stands out as an excellent optical performer, as sharp, if not sharper than 2016's (but still current) 70-200/2.8 FLE and sharper than the fully professional 70-200/2.8 VR II, and it's lightweight, collapses for travel, focuses super fast and close, and sells for next to nothing. This is another time when you have to get a lens to match your camera’s sensor size – so get a DX size standard zoom if you have a DX format Nikon, or FX for a full frame Nikon. 82mm filters, 37.6 oz./1,067 g, 1.3'/0.4 m close focus. Check price. 52mm filters, 7.0 oz/197g, 1 foot/0.3m close-focus. Only carry the 180 or 200, never both. It is worlds better than today's 35mm f/1.4 (which is a manual focus lens made since 1969) or the manual focus 28mm f/2. 50mm f/1.4 AI-s or 55mm f/2.8 MICRO-Nikkor AI-s or 55mm f/3.5 MICRO-Nikkor AI. The f/1.8 aperture also enables a reasonably compact and lightweight build, in keeping with slim-line mirrorless camera bodies. A pro-grade constant-aperture telephoto for the Nikon Z 6 and Z 7, Mount: Nikon Z FX | Elements/groups: 21/18 | Diaphragm blades: 9 | Autofocus: Pulse (stepping motor) | Stabilizer: 5-stops | Minimum focus distance: 0.5-1.0m | Maximum magnification: 0.2x | Filter thread: 77mm | Dimensions (WxL): 89x220mm | Weight: 1,440g. I prefer bringing just my 28-300mm VR, but if you need f/2.8 and don't mind bringing more lenses along, the 24-70mm f/2.8 E VR is a flawless state-of-the-art lens, a favorite of professionals. Digital Camera World is part of Future US Inc, an international media group and leading digital publisher. Nikon has learned a lot, and puts all their tricks in this collapsible lens. Sigma’s top-drawer FX format standard zoom for DSLRs ticks all the boxes, Mount: Nikon FX | Elements/groups: 19/14 | Diaphragm blades: 9 | Autofocus: Ultrasonic (ring-type) | Stabilizer: 4-stops | Minimum focus distance: 0.37m | Maximum magnification: 0.21x | Filter thread: 82mm | Dimensions (WxL): 88x108mm | Weight: 1,020g. The trade off with the improved image quality of full frame cameras is that lenses tend to be that bit larger. The ED glass allowed superb optical quality in a super-speed long lens. Heck, I sold an image to McDonald's shot on the older version — and they used it on a billboard! Nikon Z DX 16-50mm f/3.5-5.6 VR, collapsed. Sigma makes an inexpensive 12-24mm zoom that may be wider, but it's not a professional lens, its not a Nikon lens, and it distorts slightly. Nevertheless, if you own a DX Nikon and shoot macros only occasionally, this is the best Nikon lens for the job. 13mm f/5.6 AI-s (1976 -1998)          top. 58mm filters, 14.5 oz./412g, 3.7'/1.1m close-focus. For low-light and/or low weight, personally I and many prefer the 50mm f/1.4G AF-S. Check price. But macro lenses are designed to get much closer, and are optically optimised to give crystal-clear close-ups. Once you’ve got a Nikon camera and a kit lens, a telephoto zoom is a good first additional purchase. Matthew Richards, This tiny and inexpensive lens wows me with its fantastic performance and ultra low price. This Z-mount lens manages to shoehorn an epic maximum viewing angle into a relatively compact and lightweight build, thanks to a similar retractable design and modest f/4 aperture rating as its sibling Z 24-70mm f/4 S-line standard zoom. It's great people like you who allow me to keep adding to this site full-time. A regular zoom lens might give you the right perspective, but only a dedicated portrait lens with a wide maximum aperture can give those atmospheric blurred backgrounds. These two lenses incorporate every trick Nikon has learned over decades and decades of lens design and volume manufacturing. It outperforms the pricier Nikon 85mm f/1.4G lens in this respect, while also beating it for minimizing colour fringing and distortion. For full-frame mirrorless (Z6 & Z7). Although small and light, build quality feels nice and solid, but the lens doesn’t feature any weather-seals.

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